The Boston Diaries

The ongoing saga of a programmer who doesn't live in Boston, nor does he even like Boston, but yet named his weblog/journal “The Boston Diaries.”

Go figure.

Thursday, May 01, 2014

The laptop computer is not to be used as a serving tray.

From
The Office Manager of the Ft. Lauderdale Office of the Corporation
To
The Ft. Lauderdale Office of the Corporation
Subject
Seating Arrangements for Today 5/1
Date
Thu, May 01, 2014 10:11 -0500

Hello Everyone,

Just an FYI today in regards to seating arrangements; our space is limited, so I have made the following changes for today:

I wouldn't mind so much, but I find the excessive levels of mastication distracting.

Sunday, May 04, 2014

May the Fourth

Even though “Star Wars” premiered on May 25th (1977), Star Wars Day is apparently, for some odd reason, today. I don't quite understand why.

But to help celebrate the day, Bunny made my friends and me a cake.

[Favored transport of Invading Sith Lords everywhere]

And in case you can't make it out exactly, it is one of these:

[All Terrain Armored Transport]

May the force be—oh wait a second!

Monday, May 12, 2014

The Five Dollar Milkshake

That's a pretty XXXXXXX good milkshake. I don't know if it's worth five dollars but it's pretty XXXXXXX good.

Vincent Vega (“Pulp Fiction”)

It's not a five dollar shake, but nine dollars. It's not Jack Rabbit Slim's, but the Flashback Diner. And it still doesn't have bourbon.

[“Did you order a nine-dollar shake?” “Sure did.”]

And my god is it big. That sucker is about 9″ across and about that tall. I'm not sure if it was worth nine dollars, but it was pretty XXXXXXX good.

Tuesday, May 13, 2014

The laptop computer is still not a serving tray

Two weeks ago, my office was the temporary lunch room. Now, the lunch room is my temporary office.

The Ft. Lauderdale Office of the Corporation is expanding into the space next door. Because of that, an existing wall needs to be removed, and a non-existing wall needs to be constructed. Both walls simultaneously exist (currently separating the two spaces) and not-exist (to separate my office from the space next door) in my office. Thus, I am sitting in the conference room/lunch room for the forseeable future.

I've grown accustomed to the excessive levels of mastication though.

Wednesday, May 14, 2014

If we built ships like we built software—oh wait a second

Even though I'm a programmer, I can certainly relate to these 17th century ship builders (link via Flutterby).

Friday, May 16, 2014

A failed programming experiment

I have a Lua module that embeds a C compiler (and there's an extension module that allows you to load a Lua module straight from C code) which allows you to embed C code inside Lua code and compile it directly into memory:

cc = require "org.conman.cc"

load = cc.compile('load',[[
#include <lua.h>

int load(lua_State *L)
{
  double load[3];
  
  getloadavg(laod,3);
  lua_pushnumber(L,load[0]);
  lua_pushnumber(L,load[1]);
  lua_pushnumber(L,load[2]);
  return 3;
}
]])

print(load())

I use it as a means to quickly test Lua functions in C without having to muck about with external files, C compilers and linkers. For that, it's wonderful except

Errors. If there's an error in the C portion, I get:

[spc]lucy:/tmp>lua load.lua 
tcc: <string>:7: error: 'laod' undeclared

Yeah, the line number is correct as far as it goes—it's in line 7 of the code, but the actual line number is 10 of the file. Okay, in this case, I can do a simple search on “laod” but for instance, this error:

[spc]lucy:/tmp>lua load.lua 
tcc: <string>:10: error: ';' expected (got "lua_pushnumber")

It's actually line 12 of the file.

A recent message to the Lua mailing list reminded me that it is, indeed, possible, to get what I want from the output:

[spc]lucy:/tmp>lua load.lua 
tcc: load.lua:12: error: ';' expected (got "lua_pushnumber")

and that's by using the #line C preprocessor directive. It's a relatively straightforward matter to add such a line in Lua—just generate a proper #line directive and concatenate the code to it before feeding it to the compiler. Getting the line information from Lua is, again, straightforward:

static const char *itcc_add_line_info(lua_State *L,int idx)
{
  lua_Debug info;

  /*------------------------------------------------------
  ; get caller info and return linenumber and source file
  ;-------------------------------------------------------*/

  lua_getstack(L,3,&info);  
  lua_getinfo(L,"lS",&info);

  /*-----------------------------------------------------------------------
  ; line number will be negative if it's a Lua function written in C or if
  ; the source can't be located.  If that's the case just return the
  ; original string, otherwise, prepend a #line directive and return the
  ; modified string.
  ;------------------------------------------------------------------------*/

  if (info.currentline > 0)
  {
    char   lineinfo[FILENAME_MAX + 32];
    size_t len = snprintf(
                        lineinfo,
                        sizeof(lineinfo),   
                        "#line %d \"%s\"\n",
                        info.currentline,
                        info.short_src
        );
    lua_pushlstring(L,lineinfo,len);
    lua_pushvalue(L,idx);
    lua_concat(L,2);
    return lua_tostring(L,-1);
  }   
  else
    return lua_tostring(L,idx);
}

Add the call to that function in the right spot, and voilà, you now have an uncle named Robert.

As I was coding this up and testing it, I realized something else—I don't always include the code as a literal to the function. Sometimes, I declare the code as a variable:

cc = require "org.conman.cc"

LOAD = [[
#include <lua.h>  

int load(lua_State *L)
{
  double load[3];
  
  getloadavg(load,3);
  lua_pushnumber(L,load[0]);
  lua_pushnumber(L,load[1])
  lua_pushnumber(L,load[2]);
  return 3;
}
]] 
   
load = cc.compile('load',LOAD)

print(load())

I do this when the C code is longer, or I have additional parameters to pass to cc.compile(). And in this case, the line number reported will be the call site (for the above example, line 18) instead of the actual error (line 12).

Well … darn.

It wasn't as easy as I thought it would be.

Tuesday, May 27, 2014

Musical Offices

Two weeks later and the lunch room is no longer my office (nor is my office the lunch room). It's nice to be back in my old office at The Ft. Lauderdale Office of the Corporation.

But I was told not to get too attached to my current office. Nope. Real Soon Now™ I am to be moved to a new office, just down the hall. Perhaps a day … perhaps two weeks.

On the plus side, I'll still have a window. Granted, the window has a wonderful view of the Ft. Lauderdale Office interior, but it's still a “window” office and it's not like it's any different from my current-soon-to-be-ex office.

Obligatory Picture

Trying to get into the festive mood this year

Obligatory Contact Info

Obligatory Feeds

Obligatory Links

Obligatory Miscellaneous

Obligatory AI Disclaimer

No AI was used in the making of this site, unless otherwise noted.

You have my permission to link freely to any entry here. Go ahead, I won't bite. I promise.

The dates are the permanent links to that day's entries (or entry, if there is only one entry). The titles are the permanent links to that entry only. The format for the links are simple: Start with the base link for this site: https://boston.conman.org/, then add the date you are interested in, say 2000/08/01, so that would make the final URL:

https://boston.conman.org/2000/08/01

You can also specify the entire month by leaving off the day portion. You can even select an arbitrary portion of time.

You may also note subtle shading of the links and that's intentional: the “closer” the link is (relative to the page) the “brighter” it appears. It's an experiment in using color shading to denote the distance a link is from here. If you don't notice it, don't worry; it's not all that important.

It is assumed that every brand name, slogan, corporate name, symbol, design element, et cetera mentioned in these pages is a protected and/or trademarked entity, the sole property of its owner(s), and acknowledgement of this status is implied.

Copyright © 1999-2024 by Sean Conner. All Rights Reserved.